While the context and narrative itself sets up obstacles, the film often uses visuals to help express Clarice’s status in the order of things. A recurring visual motif is Clarice surrounded by taller men, dwarfed and brought down by their stature. Yes, Jodie Foster is a short woman, just a few inches over five feet, but the film often exaggerates that discrepancy to express her challenge in overcoming a patriarchal society that literally looks down on her. […]
The film camera also never objectifies Clarice. Throughout the film she is presented as an object of the male gaze by the characters in the narrative, but the camera does not assume this perspective of the male look until the end of the film. It’s at this point then that Clarice punishes and banishes the male gaze for objectifying her. [x]
A Guide to Skirts
More Visual Glossaries (for Her): Backpacks / Bags / Hats / Belt knots / Coats / Collars / Darts / Dress Silhouettes / Eyeglass frames / Hangers / Harem Pants / Heels / Nail shapes / Necklaces / Necklines / Puffy Sleeves / Shoes / Shorts / Silhouettes / Skirts / Tartans / Vintage Hats / Waistlines / Wool
I wanna wear a bunch of big stupid scarves but I need a reason to
So someone come over and give me a hundred hickeys
Winner of the first Boston Marathon in 1897.
Darth Vader Animation
Illustration by Ema Rogobete
Animation by Diogo Gil
In this striking new series, New Zealand-based artist Henry Hargreaves worked with New York-based stylist Caitlin Levin to create gorgeous maps all made out of food. Originally inspired by a passion for travel, the two decided to take the food each country is best known for—spices for India, tomatoes for Italy, kiwi for New Zealand—and arrange them in a way that’s beautifully pleasant to the eye (and perhaps stomach).